Go to Alumni and Supporters home. Go to Business home. You’ll also improve your own writing by working on the feedback given by the tutor and your workshop group. Your modules will be worth 20 credits each with the exception of Research Methodology which is worth 10 credits and the dissertation is weighted at 90 credits. We will study the forms, techniques and thematics of both non-fiction and fiction, with an aim to experimenting with and improving students’ writing in both forms. Postgraduate Admissions Office Tel:
The module is a must for scriptwriters, but no prior scriptwriting experience is necessary as the seminars teach the basic techniques of dramatic writing. A prior interest in the genre is not necessary, while there will be much focus on the structural aspects of the novel. This module is the heart of your course, the place where you write together and critique each other’s work. Over the course of the semester we’ll read, ponder and experiment with a broad range of possible ways of practising creative-criticism, including the essay form, auto-commentary, conceptual writing, inventive ‘theoretical’ writing, and diaristic writing. You must also submit a 5,word piece of creative work or an essay requirements vary for each of your two optional modules over the course of two years.
Healthcare and Social Science. One way of reading “post”-something-or-other is to think of it as an engagement with, and critical reassessment of, the past it so assiduously hyphenates: The plot was all there, the character development too, but the writing was dull.
MA Creative Writing Prose Fiction Postgraduate Study – UEA
Graduates of our MA Creative Writing Prose Fiction have enjoyed unparalleled success in terms of publications and prizes. While you cerative at UEA, the focus will very much be on writingg your creative potential, in a highly supportive and well-resourced environment. Postgraduate Admissions Office Tel: Other tests, including Cambridge English exams and the Trinity Integrated Skills in English are also accepted by the university.
That’s not a bad thing. All students will be encouraged to try their hand at parodying and imitating the texts we are studying, though this is not compulsory.
How is innocence and loss of innocence depicted differently for female, male, white and non-white protagonists? Workshop is assessed through a portfolio of shorter works. Medical and Life Sciences. They also have many years of experience in teaching workshops of Creative Writing. Go to Alumni and Supporters home. This module is an opportunity to participate in an emerging critical conversation that is carving out new directions in literary study.
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You’ll receive feedback within the workshop setting, and you’ll also receive written feedback from your tutor and your peers. In your final summer dissertation period at the end of your second year you will be assigned a supervisor for a series of four individual tutorials in which you will discuss your dissertation.
Qriting now is the time to take it further!
Our work will focus on the writings of Thomas More, Desiderius Erasmus, and Michel de Montaigne, but there will be opportunities to read far more widely in the Renaissance literature of the period. This module puts your study of dramaturgy into practice by enabling you to find your voice across the dramatic media – film, television, theatre and radio. Towards the end of the module you will also have to opportunity to become involved in the editing of the annual MA Creative Writing anthologies.
On the ‘creative’ side in previous years we have, for example, read Kafka’s short tales against Borges’s re-writings of them, tried to write like Kafka or Borges, turned a Kafka story into a Dostoevsky paragraph or a Nabokov poem, explored the various translations of these authors, and played with re-translating them.
The critical re-evaluation of neglected writers is pushing 20th century scholarship in new directions, and creating new debates and dialogue about how we read the 20th century, we join the conversation. Advice for Future Students. In each semester, you will enroll on one module.
In particular, we spend a portion of each seminar learning how to read the handwriting of sixteenth and seventeenth century documents. Go to Business home. Annual Reports and Publications. To this end, the module is overtly forward-looking, not only charting a contested history from Kant to the present, but also asking what forms future attempts at critique can, and should, take. On this module, we investigate the history, production cultures and texts made by the US film industry from its classic period to contemporary filmmaking.
One of the most important things it describes, however, is the experience of language. If you would like to discuss your individual circumstances prior to applying please do contact us: This module may particularly appeal to you if you have an interest in the cultural traditions of Norwich and East Anglia or, more generally, in the literature of place.
The scriptwriting strand of our world-renowned MA Creative Writing has three core modules. History of the University. You will also engage with the principles and practice of blog-writing, with copyright law and aspects of publishing finance. Reading, writing and analysis happen alongside each other.