Sasha Waltz opening weekend. The Global Contemporary English. The Design of Material, Organisms and Minds. Tales the Tortoise Taught Us English. Call me Istanbul is my Name. From Simulation to Stimulation. The s and s in Germany.
Digital Communication between Journal and the Dissolution of Boundaries. Rome — Open Painting. Die Videosammlung des ZKM. Beitin and Martin Hartung Eds. Net Activism — Net Demagogy. Culture War – Hitler’s Speeches on Art. Vom Betrachter zum Gestalter.
Media Study at Buffalo — English. Heimweh — Illusionsspiele in Hollywood. Musealization as Civilization Strategy. Acoustic Space Issue nr.
Vera Bühlmann | CAAD. Blog
The Cultural Turn and its Practice in the Humanities. The Song of the Line Opening.
Ian MacFadyen and Terry Wilson: Andreas Beitin and Mischa Kuball Eds. Die Grenzen der Mathematik esssy rotierende Universen. Civic Radar Falckenberg Collection, Hamburg. Springer, New York Your World in My Tears. The Coldest Planet in the Universe: Media Study at Buffalo Opening. Krytyka Polityczna Special Issue. User Frames in Media Arts. The Gernsback Prophecy Opening. Franz Erhard Walther ed.
Hash Award Virtual Goes Real.
Thinking the Line opening. An Exhibition on the Expanded Concept of Painting. Die 60er und 70er Jahre in Deutschland. Handlungsformen in Kunst und Politik. Michael Gleich and Jeffrey Shaw Eds. Between and she has been working as a research associate at the Academy of Art and Design in Basel, where she has co-edited three books and co-curated several events and symposia on design research as well as on scenography IN3 Festival Since she has been working as a lecturer and diploma coach at different Academies of Art and Design in Switzerland e.
Sound Swr22 Het Apollohuis. Zugabe — ein Kunstwerk von Florian Dombois, hrsg.
Annett Reckert and Susanne Neuburger Eds. Peter Weibel and Andreas Beitin Ed.
Siegfried Zielinski and Peter Weibel Eds. Die Medien der Kunst. Museums and the Internet. Beuys Brock Vostell Symposium. Onomatopee 52, EindhovenS. Tales the Tortoise Taught Us English. The Lack of the Other Opening.